Showing posts with label juliette binoche. Show all posts
Showing posts with label juliette binoche. Show all posts

Chocolat

Directed by Lasse Hallstrom
Written by Robert Nelson Jacobs 
Cast: Juliette Binoche, Judi Dench, Alfred Molina, Lena Olin, Johnny Depp 

"Once upon a time, there was a quiet little village in the French countryside, whose people believed in Tranquilité - Tranquility. If you lived in this village, you understood what was expected of you. You knew your place in the scheme of things. And if you happened to forget, someone would help remind you. In this village, if you saw something you weren't supposed to see, you learned to look the other way. If perchance your hopes had been disappointed, you learned never to ask for more. So through good times and bad, famine and feast, the villagers held fast to their traditions. Until, one winter day, a sly wind blew in from the North..." 

Chocolat is finely crafted depiction of the tension between love and law, judgement and forgiveness, righteous restraint and living a life worth remembering. 
Vienne Rocher (Juliette Binoche) moves with the wind. When she arrives in the conventional town of Lansquenet-sous-Tannes with her daughter Anouk (Victoire Thivisol), she must choose between following convention or dishing out the windblown medicine she knows best: rich, unrefined Mayan chocolate. 
When she opens her cheery chocolaterie at the beginning of Lent, the mayor (Alfred Molina) jumps at the opportunity to preach against indulgence. Sunday sermons are filled with admonition against the unholiness of chocolate. Still, Vienne’s shop stays busy and it soon becomes apparent that she is doing more than selling truffles. With her daring red shoes and defiance toward gossip, Vienne heals relationships and comforts the hurting. 
She has the inspiring ability to not only guess people’s favorite chocolate, but to see their beauty and potential. 
The river brings a fleet of nomadic gypsies to the sleepy shores of Lansquenet-sous-Tannes. When the townspeople refuse the “river rats” hospitality, Vienne and Anouk greet them with handfuls of chocolate candy. Chief river rat Roux (Johnny Depp) befriends Vienne and together, with mischievous smiles, they bring the town just what it needed: life, laughter and chocolat
The book of the same name is equally delightful. Author Joanne Harris offers a pantheon of insight into human flaws and virtues, like some magic Mayan recipe for wisdom. Her writing is fresh, vivid and relevant, and her descriptions of Vienne’s chocolaterie will have your mouth watering for an espresso au chocolat avec chantilly. 

Copie Conforme (Certified Copy)

Written and Directed by Abbas Kiarostami
Starring: Juliette Binoche and William Shimell
Released May 2010 (France) and January 2011 (USA) 


C'est un beau film. Critically acclaimed Iranian filmmaker Abbas Kiarostami has painted a story that is as real as the audience perceives it to be. Juliette Binoche (Chocolat, Bleu, Dan in Real Life) brings vibrance to the screen as an antique shop owner named Elle. William Shimell plays James Miller, a brainy British author who is in Tuscany to promote his latest book. Elle befriends James and insists on taking him on a tour of rural Italy. While sipping espresso in a cafe, Elle and James are mistaken for a married couple. They continue the illusion like actors in a play. 

Miller's book is about copies. He makes the argument 
that something is only as real as the viewer perceives it to be, therefore a copy is no less worthy than an original. Elle takes him to a museum and she translates the plaque under a painting, saying it is only a copy of the original. Miller questions why the viewers need know this, why not just let them believe it is the original? After all, it looks identical. 


Elle and James act just like a married couple. Every nuance and mannerism seems to confirm the assumption made in the cafe. In the end, the audience is left to translate the plaque under the painting. 


Binoche won best actress at the Cannes Film Festival for her performance. As a British opera star, this is the first major film for Shimell, but he carries the film with shrewd competence. The cinematography is stunning and the dialogue between Elle and James is much more notable than the IMDb would have you believe. Using Elle's description, the film seems "intentionally aimless," letting the viewer interpret the truth: is the marriage real or only a quip-ful copy? And if the truth is in the eye of the beholder, why does it matter? 


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